17.13
音乐研究提供了许多波的叠加以及所发生的相长干涉以及相消干涉的例子。 很少有音乐演奏的例子是由单个源长时间播放单个频率组成的。 长时间内单一频率的声音可能会单调到让人恼火的程度,类似于飞机发动机或大声风扇发出的令人讨厌的嗡嗡声。 由于混合了各种乐器和声音的变化频率,音乐令人愉悦且令人兴奋。
由于两个或…
当两个振幅相等、频率略有不同的声波相互干涉时,可确定在某一特定位置处合成波的位移方程。其强度随时间交替地增强和减弱。
时间轴的总长度代表一秒钟。当两个波同相时,它们的振幅相加。
当两个波完全反相时,其总振幅为零。
声音强度随时间发生的这种周期性变化形成拍频。
合成后的波形类似于一个振幅变化的单正弦波,在一秒钟内经历两次极大值和两次极小值。这种振幅变化的频率为 2 赫兹。
每秒听到的拍数称为拍频,其数值等于声波频率之差。
连续两次搏动之间的时间间隔定义为搏动周期,即搏动频率的倒数。
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Q1: What happens when two sound waves of slightly different frequencies interfere with each other?
When two sound waves of equal amplitude and slightly different frequencies interfere, their displacement creates a resultant wave with varying amplitude. The intensity rises and falls alternately as the waves move in and out of phase. This periodic variation in sound intensity with time forms beats, producing a single sinusoidal wave that appears to pulse in loudness.
Q2: How is beat frequency defined and calculated?
Beat frequency is the number of beats heard per second and equals the difference between the frequencies of the two interfering sound waves. For example, if one wave has a frequency of 440 Hz and another has 442 Hz, the beat frequency is 2 Hz. The beat period, which is the time interval between successive beats, is the inverse of the beat frequency.
Q3: Why do beats occur when sound waves are in and out of phase?
Beats result from constructive and destructive interference between waves. When the two waves are in phase, their amplitudes add together, creating maximum intensity. When exactly out of phase, the total amplitude becomes zero. This alternating pattern of constructive and destructive interference produces the characteristic amplitude variation that creates the beating sound effect.
Q4: What does the resultant wave look like when beats are formed?
The resultant wave appears as a single sinusoidal wave with varying amplitude that goes through two maxima and two minima in one second when the beat frequency is 2 Hz. The wave oscillates between loud and quiet, with the amplitude envelope rising and falling periodically. This creates the characteristic pulsing or throbbing sound that listeners perceive as beats.
Q5: How do piano tuners use beats to tune instruments?
Piano tuners strike a tuning fork and play a note on the piano simultaneously. As they adjust the piano string, the beat frequency decreases as the note's frequency approaches the tuning fork's frequency. When the frequencies match, the beats disappear entirely. This method works because beats between two tones can be heard up to approximately 6 or 7 Hz, making small frequency differences audible.
Q6: Why must multi-engine aircraft propellers be synchronized?
If propeller frequencies are not synchronized, the sound waves from different engines interfere and create annoying beats heard as loud throbbing sounds. Synchronization prevents this unwanted beat phenomenon. Some aircraft use electronic systems for synchronization, while others rely on pilots adjusting engine speeds by ear, similar to the piano tuning process.
Q7: What role does constructive and destructive interference play in creating beats?
Beats are a direct result of constructive and destructive interference between two slightly different frequencies. Constructive interference occurs when waves align, amplifying the sound, while destructive interference occurs when they oppose each other, reducing the sound. The periodic cycling between these two interference states creates the amplitude modulation characteristic of beats.