3.2
A sound engineer at a music company faces a challenge. The output from their studio's newly acquired vintage mixing console is insufficient for modern recording equipment.
To resolve this, the engineer needs to design an audio pre-amplifier using an operational amplifier, to boost the signal level.
The pre-amplifier should amplify the audio signal by a factor of 10, have an input impedance above ten kilo-ohms to prevent console overloading and cover the entire audio spectrum from 20 Hz to 20 kHz.
The op-amp model 741 is chosen because it can handle the required frequency range without significant gain loss.
The engineer uses the non-inverting operational amplifier configuration to meet the requirement of a gain of 10 and high input impedance.
The gain of a non-inverting amplifier equals one plus the ratio of the feedback resistor to the resistor connected to the inverting input.
To achieve a gain of 10, a 100 kilo-ohm feedback resistor and a ten kilo-ohm input resistor are selected.
This design effectively boosts the console's output, enabling it to drive the digital recording equipment.
音楽会社のサウンドエンジニアは最近、ある問題に遭遇しました。新しく購入したスタジオのビンテージ ミキシング コンソールからの出力は、現代のレコーディング機器の要件には低すぎました。この状況を修正するために、エンジニアは信号レベルを高めるオペアンプを使用するオーディオ プリアンプを設計することにしまし…
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