3.2
A sound engineer at a music company faces a challenge. The output from their studio's newly acquired vintage mixing console is insufficient for modern recording equipment.
To resolve this, the engineer needs to design an audio pre-amplifier using an operational amplifier, to boost the signal level.
The pre-amplifier should amplify the audio signal by a factor of 10, have an input impedance above ten kilo-ohms to prevent console overloading and cover the entire audio spectrum from 20 Hz to 20 kHz.
The op-amp model 741 is chosen because it can handle the required frequency range without significant gain loss.
The engineer uses the non-inverting operational amplifier configuration to meet the requirement of a gain of 10 and high input impedance.
The gain of a non-inverting amplifier equals one plus the ratio of the feedback resistor to the resistor connected to the inverting input.
To achieve a gain of 10, a 100 kilo-ohm feedback resistor and a ten kilo-ohm input resistor are selected.
This design effectively boosts the console's output, enabling it to drive the digital recording equipment.
최근 한 음악 회사의 사운드 엔지니어가 문제에 직면했습니다. 새로 인수한 스튜디오의 빈티지 믹싱 콘솔의 출력은 최신 녹음 장비의 요구 사항에 비해 너무 낮았습니다. 이러한 상황을 바로잡기 위해 엔지니어는 연산 증폭기(op-amp)를 사용하여 신호 레벨을 높이는 오디오…
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