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The preservation of architectural heritage constitutes a critical imperative within the contemporary discourse of urban planning and cultural sustainability1,2. As cities undergo rapid modernization and digitization, the tension between development and conservation becomes increasingly acute3. This phenomenon is particularly evident in the Central Plains of China, a region that serves as a cradle of civilization yet faces the relentless pressure of urban expansion4,5. The protection of cultural heritage extends beyond the mere maintenance of physical relics; it encompasses the safeguarding of historical context, the transmission of cultural significance, and the preservation of the authenticity of the heritage site6. Heritage conservation is not a passive act of archiving but an active strategy for cultural rejuvenation, shaping the identity of nations and regions while enabling future generations to maintain a continuous connection with their ancestral spiritual world7. Furthermore, the effective preservation of these sites fosters a multidimensional cultural ecology that interacts dynamically with the global economy, enhancing the region’s image on an international stage8.
Despite the recognized importance of heritage conservation, current research and funding often disproportionately favor prominent, monumental sites such as the Shaolin Temple or the historic centers of Luoyang and Kaifeng9. This leaves regionally significant but less globally visible landmarks, such as the City God Temple of Zhengzhou, in a state of marginalization10. Constructed during the Ming Dynasty, the City God Temple, as shown in Figure 1, represents a singular example of well-preserved religious architecture in Zhengzhou. Historically, it functioned not merely as a religious sanctuary but as a vibrant nexus of social, economic, and folk activities—most notably the Temple Fair11. These fairs were the lifeblood of the temple, integrating sacrifice, commerce, and entertainment into a cohesive cultural expression12. However, the encroachment of modern commercialism and urban rezoning has led to the cessation of these traditional fairs, resulting in a conservation dilemma. While the physical skeleton of the temple remains, the intangible spirit—the noise, the visual vibrancy, and the social interaction—has largely dissipated. This loss of place (space plus social function) underscores the urgent need for conservation methods that can restore both the tangible structure and the intangible atmosphere13,14. Therefore, the protocol detailed in this study is explicitly scoped and designed for heritage sites characterized by this specific dichotomy: locations where the physical architectural structures remain structurally intact, but the associated ephemeral cultural context and intangible artifacts have been lost.

Figure 1. Photograph of the City God Temple of Zhengzhou showing the current state of the entrance facade. Please click here to view a larger version of this figure.
The deployment of digital technology in cultural heritage conservation offers a transformative solution to this dilemma. The principle of conservation demands maintaining the chronological value of the material ontology6. Traditional analog methods, such as hand measurement and 2D photography, often fail to document the complex geometries of ancient architecture comprehensively and are powerless to restore lost ephemeral scenes. Consequently, the field has shifted towards “Digital Twinning,” a concept originally derived from aerospace engineering, which involves creating a virtual replica of a physical entity that spans its lifecycle15. In the context of heritage, a digital twin serves as a precise, unalterable archive that supports diagnosis, prediction, and interaction16.
Terrestrial Laser Scanning (TLS) has emerged as the foundational technology for constructing the geometric layer of these digital twins. TLS utilizes LiDAR (Light Detection and Ranging) to capture millions of data points per second, creating a high-density point cloud that records every fissure, tilt, and texture of a building with millimeter-level accuracy17. This technology is non-contact, making it ideal for fragile structures, and highly efficient compared to total station surveying. Recent applications have demonstrated the efficacy of TLS in complex scenarios: Marsella et al.18 utilized TLS to assess the structural safety of St. Peter’s Basilica in the Vatican, identifying minute deformations invisible to the naked eye. Similarly, Barontini et al.19 developed a Historic Building Information Modeling (HBIM) framework that integrates TLS data for preventive conservation. The ability of TLS to diagnose technical conditions—such as wall cracking, foundation settlement, and floor deflection—provides a scientific basis for physical restoration interventions20,21.
However, while TLS excels at recording the extant physical reality, it cannot restore the vanished historical reality. A point cloud is accurate, but it is static and devoid of historical context. To reconstruct the missing historical scenes—such as the bustling atmosphere of the temple fair—this study turns to the emerging field of Conditional Generative Artificial Intelligence (CGAI). Unlike traditional manual 3D modeling, which is labor-intensive and relies heavily on the subjective interpretation of the modeler, CGAI (e.g., Stable Diffusion or Tencent Huiyuan 3D) utilizes deep learning algorithms to generate visual content based on textual descriptions22. By analyzing vast datasets of historical architectural styles and textures, CGAI can synthesize or reconstruct plausible historical elements—lanterns, banners, temporary stalls—based on archival text and visual data. This represents a paradigm shift from purely recording what exists to simulating what historically existed, using data-driven logic to fill the gaps in the physical archive23.
The final challenge lies in the dissemination of this digital simulacrum. A digital twin stored on a server has limited social value if it is not accessible to the public. Augmented Reality (AR) and Mixed Reality (MR) technologies bridge the physical and virtual worlds, allowing the digital twin to be superimposed onto the physical site24. Unlike Virtual Reality (VR), which isolates the user in a completely synthetic environment, AR maintains the connection to the physical heritage site while enhancing it with digital information. Platforms like Fologram and devices like the Microsoft HoloLens 2 enable the projection of high-fidelity 3D models into the real-world coordinate system, facilitating a direct dialogue between the visitor and the reconstructed history25. This immersive approach has been shown to significantly enhance visitor engagement and understanding, transforming passive viewing into active exploration26.
While current literature often treats digital conservation technologies in isolation, the integrated protocol proposed in this article offers distinct methodological novelty. First, unlike standard TLS documentation workflows that yield highly accurate but culturally sterile geometric archives, our method introduces dynamic semantic context. Second, while photogrammetry-based reconstructions excel at texturing extant physical surfaces, they are structurally incapable of regenerating completely lost cultural artifacts that lack physical remnants. Finally, in contrast to existing AR heritage visualization systems that frequently rely on manually crafted, generic 3D assets or isolate users in VR, this workflow utilizes CGAI to generate site-specific, historically informed visualizations directly anchored to millimeter-accurate TLS data. This fills a critical gap by detailing a rigorous, reproducible protocol. To resolve conceptual ambiguities and establish a clear methodological rationale, we explicitly define the core components of this workflow. Documented geometry refers to the highly precise, static 3D spatial replica of the existing physical architecture; TLS is required here to capture this undeniable empirical reality with non-contact precision. In contrast, AI-generated interpretive reconstruction denotes the visual representations of lost cultural artifacts (e.g., festival decorations) derived from archival text; CGAI is required for this step because it synthesizes probabilistic, historically informed interpretations rather than absolute physical truths. Finally, MR is required for in-situ visualization, serving as the experiential medium that seamlessly superimposes the interpretive cultural layers onto the documented physical geometry in the real world. By structuring our approach around these defined concepts, this combinatorial workflow not only provides a technical route not only provides a technical route for the digitization of urban cultural heritage in the Central Plains but also offers a new theoretical model for how we define “preservation” in the digital age—moving beyond the preservation of matter to the revitalization of memory27,28.