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Under the profound adjustment of the international paradigm for cultural heritage dissemination, exhibition logic has fundamentally transitioned from an object-centric approach to one that emphasizes the visitor experience1. Historically, museums and heritage sites relied predominantly on physical display cabinets and static textual plaques to present historical information in a unidirectional manner. Consequently, these traditional configurations are generally considered to be uninvolved in visitors’ active cognitive processes, rendering the audience mere spectators. However, the emergence and rapid evolution of Digital Humanities research have irrevocably altered this dynamic. The contemporary objective is no longer solely to preserve and passively display cultural relics, but to dynamically reconstruct the chronological timeline of history using interactive digital media as a bridging conduit2,3. Within this context, utilizing mixed reality (MR) technology compensates for the inherent limitations of purely digital virtual spaces, as well as the physical constraints of actual heritage site environments, thereby providing a robust hybrid platform for cultural expression.
The core mechanism of employing MR to realize the digital transformation of heritage lies in the systematic reorganization of spatial narratives. This approach significantly differs from traditional digital models, such as basic video tours or the simple superimposition of isolated augmented reality (AR) objects. Instead, MR realizes true spatial coexistence and environmental integration through advanced spatial perception mapping and projection technologies4. In such computationally augmented environments, visitors are no longer passive receivers of isolated historical facts; rather, they become active participants embedded in the real-time re-creation of cultural stories. The rules of engagement have fundamentally changed, redefining the structural relationship between tourists and heritage content. Cultural consumption is transformed into an active process of meaning construction5,6. Presenting digitized, historically accurate content in parallel with physical heritage sites effectively transforms dormant historical records into narrative fragments that resonate both spatially and emotionally7.
Despite these technological advancements, a critical review of the wider body of literature reveals a distinct methodological gap. Although the academic community has paid considerable attention to the applications of extended reality in heritage protection, the vast majority of current research remains heavily concentrated on technical realizations, hardware optimizations, and rudimentary usability assessments. While numerous previous studies have investigated the application efficacy of specific devices and sensory stimulation technologies, remarkably few have empirically examined their deeper structural relationships with cultural cognition, psychological immersion, and pedagogical outcomes8,9. Consequently, many existing digital heritage projects suffer from a disjointed design: they possess sophisticated technical support but lack compelling, structured narrative strategies. Although developers frequently strive to engineer a strong sense of spatial presence, it is fundamentally the depth, coherence, and quality of the narrative that act as the primary catalysts enabling visitors to effectively immerse themselves in the historical context10. To date, a systematic and quantitative methodological framework mapping how specific MR narrative designs influence nuanced visitor participation behaviors has not been comprehensively established. As a result, numerous high-cost digital heritage projects deliver striking visual stimuli but fail to exert considerable influence on long-term educational outcomes or the development of cultural identity11.
The overall goal of the method presented in this protocol is to provide a standardized, reproducible empirical framework for quantifying the experiential and educational efficacy of MR cultural narratives. The rationale behind the development of this specific technique is rooted in the understanding that the narrative design of an MR environment does not directly or instantaneously cause a behavioral learning response. Instead, it functions as a distal antecedent that operates through a sequence of intermediary psychological processes. We hypothesize that high-quality narrative-flow immersion effectively lowers tourists’ cognitive barriers, such as museum fatigue or historical jargon overload, making complex information more accessible. Simultaneously, perceived authenticity provides a critical cognitive bridge between the virtual narrative overlays and the tangible cultural heritage. Emotional resonance then elevates this baseline participation to a state of profound cultural connection. The protocol systematically confirms whether these latent psychological constructs function as necessary intermediaries, thereby demonstrating how this methodological framework can be utilized to evaluate how tourist engagement affects learning outcomes.
This proposed quantitative protocol offers significant advantages over alternative evaluative techniques. Previously, the evaluation of digital heritage experiences relied heavily on subjective post-visit qualitative interviews or unidimensional self-reported satisfaction surveys. These alternative methods frequently fail to capture the complex, multilayered psychological mechanisms occurring simultaneously during the actual spatial experience12,13. Traditional observational methods also lack the statistical rigor required to model latent psychological variables synchronously. In contrast, the methodology outlined herein utilizes a controlled MR digital heritage prototype combined with robust survey instruments and Partial Least Squares Structural Equation Modeling (PLS-SEM)14. PLS-SEM is particularly advantageous for this application because it allows for the rigorous assessment of complex path models and multiple mediating effects simultaneously, providing researchers with a highly accurate mapping of how narrative quality translates to learning rather than merely observing whether it does.
The information derived from executing this protocol will help readers determine whether this structural evaluation method is appropriate for their specific applications. This protocol is highly appropriate for digital humanities scholars, museum curators, and interactive system designers who aim to transition from purely descriptive evaluations of heritage technologies to rigorous predictive modeling. By isolating the specific narrative variables that drive visitor engagement, this method provides both theoretical support and actionable directions for optimizing the educational effectiveness of future MR cultural narrative systems.